I love this topic. Voice. In fact, I'm going to steal from five pages worth of notes I used in a workshop I gave at Rocky Mountain Fiction Writers' Colorado Gold Conference in 2004. I'd love to use the whole thing, but it's way to much for a blog so maybe I'll do it in parts.
Your voice comes from inside you
... but you have to dig deep to find it. In most cases, it won't jump out of you and onto the page with the flick of a pen (or click of a mouse, depending on how you write). Your voice is filtered through something powerful and special, something familiar, something wonderfully creative. The secret to finding your storytelling voice is through your characters. But that's only the first step.
"To set your voice free, set your words free. Set your characters free. Most important, set your heart free. It is from the unknowable shadows of your subconscious that your stories will find their drive and from which they will draw their meaning. No one can loan you that or teach you that. Your voice is your self in the story." Donald Maas, WRITING THE BREAKOUT NOVEL
Voice is evident in all aspects of the storytelling craft. Characterization especially, but also plot, setting, description, and exposition when you explore the internal workings of your characters' thoughts and his perceptions of the world around him.
For today's blog I'll focus on using character peronalities as a tool to channel your voice.
To become your characters you need to call upon your own personal life experiences & emotions; even if your experience wasn't precisely like that of your character, the emotion may be similar. Grief, joy, pain, anger, heartbreak… Take the death of a child, for example. If you have children, it's not hard to imagine the agony and devastation you'd feel if the unthinkable ever happened. Think what it would be like for your character. It's your voice that will come through your character's thoughts and actions. Your unique imagination is what breathes life into the people in your stories. When you share your character's lives, they become a part of you and are therefore more real.
The external traits of your character are the easy part; that's just their two-dimensional persona like height and weight, hair and eye color, favorite food, favorite movie, etc. To make them 3-dimensiona, you have to go deeper to learn why they say and do the things they do. What are their politics? Religeous beliefs? Relationships with family? Do they hate their parents? Why? And what happened in their lives that caused them to disrespect authority? Or to donate every hard-earned cent to charity? What caused their fear of heights? What's at the root of who they are? The answers to these questions not only make the character interesting, but enable you to speak with your character's voice, which translates directly onto the page and makes your story real.
Your characters are not you. They're from a subconscious part of yourself so don't hold back when you create who might be your polar opposite. Open your mind and set free the serial killers, vampires, Victorian prudes, heavy-weight boxers, stoic accountants, and all those other folks living within the dark recesses of your mind. You may feel liberated by the experience.
When you become your character, you let his or her actions and reactions drive the plot. Though you as the writer hold the reigns, your character's behavior steers the way. Allow his or her instincts to guide the plot forward.
Now for your assignment:
You have two totally different characters in the same scene, which is a Star Trek Fan convention. These characters are very different from each other, yet they're in the same place, and they're seeing, hearing and smelling the same things. Their perceptions will be totally different. They probably don't even have the same vocabulary. One of them could be from another country, or another planet. Ha! Different gender, different attitude, different background, sky's the limit.
Now that you know who your two characters are, write a paragraph for each, from their point of view, about what they're experiencing at this Star Trek Fan convention. They each have their own unique voice, which is an extension of your voice.
I'll start. Check the comments section for my example.
10 comments:
Henry Smith
Dude. This place is one freaked-out mob of nut cases. I mean, yeah, I watched Star Trek back in the day, but would I dress up like a seven foot geekoid with pointy ears and sequins sewn on my head? I don't think so. I must have made a wrong turn on Sunset; I don't see one gnarly board like the one I biffed on that bombora last spring. Whoa! Check out the swamp donkeys, dude!
Sally Stargazer
I'm in Trekkie heaven! And to think I'd met Zandor on the Internet. He's my soulmate and I'm supposed to meet him here, at the greatest convention on earth! I hope he likes my outfit; I mean, I know my boobs aren't as big as Madame Tushi in episode 452, but my tights are the same color as hers. Now if I can just find Zandor among all the other Denobulons. I should have asked him what color nose ring he'd be wearing...
Tuk of Pluto
"jionly009. jionly009. jionly009. jionly009."
Translation:
Finally, people I can identify with.
Tiffany
"Woohoo, where's the party, three eyes? Cool costume! Seen Mr. Spock lately? Hey, I'm looking for some guy made up like a fish and wearing a shower curtain. Got twenty bucks to do a little "lap dance," baby, right under that curtain. How about you, sweetie? You want a little fun? Hey, what's 'jionly009' mean? Ooh, baby. I always thought most guys had twenty hands, but you really do!
Alice
Letting loose my inner alien/stripper
Alice - ROFL!
Karen - Too funny!
HAZEL ASHBURN
Where the heck am I and who are all these weirdos? I can't believe I booked a room at a hotel with a freak convention! And why didn't they tell me this was going on when I booked my room.
Hello, desk clerk, get me the hell out of this side show. Find me a hotel without all these creatures from my worst nightmares.
PHILLIP "SPOCK" CARPENTER
Lieutenant Solo, come over here and give me a back massage. What? No back massage? You're being insubordinate. Scotty beam her to a distant planet.
Ha Ha! This is awesome! I've died and gone to Trekkie heaven. Oh look! There's a Klingon. Hey you, Klingon, don't look now, but there's something Klingon your back! Haw Haw Haw! I crack myself up. I've always wanted to say that!
Alice and Paty, you're a riot! It's fun though, isn't it? Just let loose and your voice takes over. Hee hee!
Karen
Tobias Denker:
Yeah, the Klingon makeup makes me look five years older. At least. Maybe I can even pass for 21 tonight and get some of that Fergeni ale tonight. Or a Vulcan babe. Dude. Why can't Shandra Stevens be a trekie? Why? My life would be complete if I could just see her in uniform. God. That blonde hair. Those elf-like hands . . Dude. Thank god the Klingon garb is loose fitting if you know what I mean.
Edith Kemper:
This is the pen Brent Spinner wrote with at WhoCareSCon 03. And this the napkin Jonathan Frakes used at FreakCon 05. This is a piece of Lavar Burton's hair. I specialize in Next Gen men only. DS9 is too commerical and don't get me started on Enterprise. I'm a pureist. I've been here in line for Picard's autograph since Tuesday. He doesn't come to many Con's anymore. It's important to me that he feel welcome and appreciated. So yeah, if that means I sleep here in my pop-up chair, I sleep here in my pop-up chair. I figure they make sacrifices for their art, so can I.
Great Post Karen. I really enjoyed it. And I loved everyone else's examples.
Don Alan:
"Beam me up Scotty and spank my monkey, that chick is the best looking vulcan female I've ever seen. With those sexy ears and eyebrows, who cares if she feels no emotion?"
Spania:
"Even for an earth man he has no butt. And no depth to his ears. But giving him a shoulder jolt may be entertaining, if just to watch him drop to his knees."
(I am sooooo not a Trekkie.)
Bubbles Simpson:
Like, Oh, my God, I can't believe people dress up like this. They must have a short somewhere in their pin-shaped heads. And those colors? Gah! What is that guy thinking? And who does his hair? Ew, like, gag me with a spoon already. I need a latte. Like, right now before I hurl all over my Gucci pumps and ruin this perfectly-matched ensemble.
Tiberius Kirk McGee:
Great Scott! There she is. I can't believe she's here. Antonia. Look at those eyes. Those lips. The line of her throat. Obviously, the universes have collided to bring us back together. But why is she wearing that odd uniform? And why is she looking at me like she doesn't know who I am? Oh no! She's leaving. I can't let her leave. Can't. I'm going to have to beam her aboard my starship and take her where no man has gone before. It's the only solution.
Karen--This damn thing had been plaguing me all day.
While in the shower I channeled: Guido, the hit man, looking for his target, some jerk dressed like that Spock character on TV, shouldn't be hard to spot. The contract says he'll be at the convention center of the downtown Hilton at three o'clock sharp. Yikes! Look at all them Spocks!
I won't drag you thorugh all the others, but Jeez, I'm way too suggestible for this kind of thing.
What a fun exercise--now turn it off!
Everybody was so funny!
Alice
You guys are great! So did anyone learn anything from this exercise? Other than Alice can't stop and none of us are Trekkies. And Piper is a... Galacti? A, uh, BatGal? Umm... whatever you call those Battlestar Galactica people.
I could go one further and have you all take the characters you've created here and put them someplace else. Someplace totally opposite. Like Winchester Cathedral. Or... Aspen. 8^)
Karen
fI could go one further and have you all take the characters you've created here and put them someplace else. Someplace totally opposite. Like Winchester Cathedral. Or... Aspen. 8^)
Karen--You have a cruel streak!
Piper, my goodness, girl, how you got inside those heads!
Alice
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